The "Bill" in question is 80+ New York Times photographer Bill Cunningham. For decades, this Schwinn-riding cultural anthropologist has been obsessively and inventively chronicling fashion trends and high society charity soirées for the Times Style section in his columns "On the Street" and "Evening Hours."Bill is such an amusing and fascinating man! He is funny, quite shy, but definitely has an eye for fashion. His lifestyle is very simple and far from the fancy world in which he moves. He admits to loving clothes and can be quite obsessive in what he does, but he himself does not care for donning expensive garbs. He is well-known among the high society circles which events he often chronicles, but doesn't give a damn about money and paychecks (more than once did he rip his paycheck). He doesn't get fazed by them younger photographers with their digital SLRs and 200mm lenses huddled in a certain spot (as seen during the fashion week part of the film), clicking at every single model strutting down the runway.
He moves around the city in a bicycle, his 29th (he already had 28 bikes stolen), with an old Nikon dangling from his neck. When it's cold, he has this dark blue jacket over his signature street-sweeper-blue-shirt. And when it rains, a black DIY raincoat is always on hand. His room at the Carnegie Hall is full of file cabinets of his work. I really really admire his humble, simple lifestyle and his being down-to-earth. I guess you don't see a lot of that in New York, especially if they're as famous and respected as one certain chap of the name Bill Cunningham.
This docu is entertaining, very amusing, and at times heartbreaking. He reminds me of James Nachtwey in the sense that he is a loner, dedicated his life to his craft, and didn't have time for romance/starting a family.
I do love documentaries about photographers. Which reminds me, I have yet to finish the documentaries on Henri Cartier-Bresson. Might get to that later, I think I'll re-watch this first.
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